Theme—Alone
DYUTIMAN MUKHOPADHYAY PHOTOGRAPHY
I took this picture being Inspired by a scene in Andrei Tarkovsky's ‘Mirror’, 1975. Tarkovsky, whom I regard as the greatest filmmaker of all time, shaped my spiritual approach to art which is liberated from the prison of intellect—especially his concept of time-pressure—using which he prayed through his films and tried to comprehend the meaning of existence.
The following poem is my effort to translate an excerpt from a haunting Bengali-song 'Aaloshyo (idleness)' written by Anupam Roy and sung by Surangana Banerjee in the film 'Uma ' (2018) which goes with the heart of this image:
In those summer morn—
The curtain swayed—
Gently swayed—
And made me float. . .
Gently float. . .
The eyes—
Still lulled me to sleep—
The bed—
Still held me deep—
And the tender breeze—
Rocked me on. . .
And on. . .
As if then my mind woke up—
In a distant wonderland—
Like balls of cotton—
In the unknown blue—
You can—
You can hang on a little more—
I am almost there. . .
You can't—
Can't close your eyes—
Not yet. . .
I am near. . .
There’re still so many deep breaths to take.
—Translated by dyutiman mukhopadhyay.
Theme—Alone.
October 8, 2010; Shantiniketan, West Bengal, India; Camera—Canon PowerShot A580.
P.S. ‘In the grass’ is a painting by Arthur Hughes (1864 – 1865).
Theme—Alone.
September 16, 2019; South Bank, London; Camera—Canon EOS 60D DSLR.
Valentine’s Day 2019 (1/2).
The derelict architecture of the once famous West Pier in Brighton, England—burnt, destroyed and now closed and forgotten.
Theme—Alone.
February 14, 2019; Brighton, UK; Camera—Canon EOS 60D DSLR.
Valentine’s Day 2019 (2/2).
The derelict architecture of the once famous West Pier in Brighton, England—burnt, destroyed and now closed and forgotten.
The title is inspired by Andrey Zvyagintsev’s film Loveless (2018).
Theme—Alone.
February 14, 2019; Brighton, UK; Camera—Canon EOS 60D DSLR.
Gently — so gently — with care
He curled up in bed,
And the mourning forest said —
'Crawl back to your shell',
Oh, bed! — snug and warm;
He tugged, hugged her close
And I crawled into bed,
Oh, bed! — of barbed wire;
He slithered through her sleep,
She writhed in her dream,
Barbs — stinging my purulent sores,
Steaming them, until just tender;
And her wonder eyes opened
Still floating in longing dream,
With lonely molten frozen tears
I smelled my burning scars,
Only going through the motions
Hustling old habits, he asked —
Do I feel the pain?
Half conscious — numb in cold?
'Who are you thinking of?'
Deep breaths — I'm almost there,
Yet to reach — though near;
With more breaths to breathe
Through the night's darkest hue,
She could only say —
'Not you'.
by dyutiman mukhopadhyay.
Theme—Alone.
February, 2021; West Bengal, India; Camera—Samsung M30s.
The title is inspired by the 2003 film by Andrey Zvyagintsev.
Theme—Alone.
Shot on April 28, 2022, in Bengaluru, India.
Camera—Xiaomi Redmi Note 8 Pro.
"The idea is simple / A married woman and a single man meet / They love, they argue, fists fly / A dog strays between town and country / The seasons pass / The man and woman meet again / The dog finds itself between them / The other is in one, / the one is in the other / and they are three / The former husband shatters everything / A second film begins: / the same as the first, / and yet not / From the human race we pass to metaphor / This ends in barking / and a baby's cries / In the meantime, we will have seen people talking of the demise of the dollar, of truth in mathematics and of the death of a robin."
—Jean-Luc Godard on the synopsis of his 2014 film ‘Goodbye to Language’ (French: Adieu au Langage).
Theme—Alone.
Shot on October 2008, Purulia, West Bengal, India.
Camera—Nikon FM 10 (35 mm Analogue SLR)
Inspired by a flute cover of Elvis Presley’s Can't Help Falling in Love by @ReedsCover (YouTube)
Photomontage.
Theme—Alone.
Photographs taken on 17th and 29th February 2024.
Camera—Xiaomi Redmi Note 8 Pro.